Chicago Tribune readers have enjoyed rock critic Greg Kot's music reviews for years. Now he's set his sights on the broader topic of the transformative changes roiling the music industry, and with great results. Kot's new book, Ripped, is a highly readable look at the watershed changes brought on by the digitization and internet distribution of music, told largely through the voices of the musicians who have lived it.
The central point of Ripped is this: when it comes to music, the more the merrier. Availability means exposure, which ultimately works to the benefit of both artists and audiences, even if it doesn't immediately translate to revenue for rights holders.
Kot highlights the music business missteps that have led to an industry in crisis, but without harsh judgments and drama. He also recognizes that there's a long road ahead before we get to the Celestial Jukebox -- the nirvana of easy, affordable and legal access to all the music, all the time, from the device of our choice. But above all, Ripped recognizes the opportunities in and Kot's keen optimism for the "future of music," an assuredness born of the sheer joy of being a passionate fan.
Kot's mix of industry insight and reliable criticism combine to make a light read of a heavy topic.
Friday, May 29, 2009
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